I think the destiny of artworks cannot be determined the moment they are created. And by that time, the people who are saying the metaverse is over will not be able to catch up.ĭo you consider how your art, in whatever form, will appreciate in value? So maybe six years from now, when those people are adults, there will be another explosion of the metaverse because it’s their native world. But hardcore people are still very much involved and young people who can’t really act directly on society or shape politics and these kinds of things, they’re already living in the metaverse through gaming and other platforms. Last year, the whole notion of the metaverse exploded because it was really tied to the idea that this was going to be a new business, and everyone needed to be a part of it. So in that contemplation, I hope my message will develop. And once they possess them, they will start looking more seriously at them. But if I give them a free NFT, then they will take them. At first, I assume people won’t understand. I wanted to draw people from Paris with this project as this is the first time I am proposing this cognitive domain. The show is called “Understanding the New Cognitive Domain,” but many people don’t understand the digital world, the metaverse. On the other hand, with these big paintings and physical works, I still make them for museums and for people to come and experience in real life. I am of the old-school literacy generation, but I’m using that method from the old school and appealing to a new audience with a new literacy-the new reality of this new space. Young people’s literacy is completely different. My own children, who are nine and 12, they play games and are totally online. Takashi Murakami: The digital world can be for everyone but actually, for older people to enter into the digital world, there is still a barrier. Vogue : How are the physical and digital artworks complementary? But before all this got underway, Murakami shared some wide-ranging insights with Vogue.
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